4. In the Seeing Double exhibition, what are clone photographs? How are clone photographs created?
5. In the Face of Slavery exhibit, think about photography as a recorder of history. How do these photographs record history? Do photographs today still record history accurately?
6. In the Do You Believe? Exhibition, what caused the ghostly images in some of the early photographs?
9. Choose one photograph from the exhibitions to critique (it should be a different photograph than the one you used above, although you can use one from the same exhibition). Use the various aspects that we’ve discussed in the course to help you form your critique of the photograph.
8. Choose one photograph from the Of Bricks and Light exhibition to critique. What makes the photograph a “good” photograph? Use the various aspects of a photographic critique that we’ve discussed to help you formulate your critique.