Which of the following paintings is considered the epitome of French Rococo painting? a. The Triumph of Venus by Francois Boucher. Naked men and women sit on the cliffs next to an ocean with angels surrounding them. b. The Progress of Love by Jean-Honore Fragonard. A woman and a man sit in a garden with angelic statues. c. The Marriage of the Emperor Frederick Barbarossa to Beatrice of Burgundy by Giovanni Battista Tiepolo. Frederick and Beatrice stand in front of a priest in Kaisersaal surrounded by nobles during their wedding. d. The Embarkation for Cythera by Jean-Antoine Watteau. Wealthy men and women sit outdoors and party with angels around them.

The painting "The Embarkation for Cythera" by Jean-Antoine Watteau is considered the epitome of French Rococo painting. This artwork depicts the departure to the island of Zither, to symbolize the journey to the island of love, reflecting the beauty and lightness in the painting.

It was a style that emerged in opposition to the Baroque style, which was more rigid and austere. Rococo in painting translates greater ornamentation and delicacy of painting movements, with the use of curved lines and pastel tones.

Therefore, Rococo is an artistic style that portrays playful and non-political themes, such as love, myths and landscapes, being the artist Jean-Antoine Watteau considered its precursor.

The correct answer is:

D. The Embarkation for Cythera by Jean-Antoine Watteau. Wealthy men and women sit outdoors and party with angels around them.

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