Which of the following is not true of speech segmentation?
select one:
a. when words are taken out of context, they are far more difficult to identify.
b. it can be ambiguous, and this can lead to awkward situations.
c. it is made easier by the fact that more than half of the speech we hear consists of the 50 most common words in english.
d. the gaps between words are easily identifiable in the raw auditory stream.

Option D is not correct.

Explanation:

This is not true, as this is mostly represented in written language.

Speech segmentation refers to the capability of humans (or more recently, machines) to identify boundaries between words in spoken language. Factors such as a person talking too fast, not loud enough, or with a strange accent, could make these gaps go unnoticed.

When it comes to speech recognition software this is especially important, as the machine doesn't have the human capability to rely on context, previous knowledge or even guessing what the other is trying to say to understand the message; the machine relies only on what is explicitly being said.

the united states constitution is the supreme law of the united states. the constitution, originally comprising seven articles, delineates the national frame of government. its first three articles embody the doctrine of the separation of powers, whereby the federal government is divided into three branches: the legislative, consisting of the bicameral congress; the executive, consisting of the president; and the judicial, consisting of the supreme court and other federal courts. articles four, five and six embody concepts of federalism, describing the rights and responsibilities of state governments, the states in relationship to the federal government, and the shared process of constitutional amendment. article seven establishes the procedure subsequently used by the thirteen states to ratify it. it is regarded as the oldest written and codified national constitution in force.

answer: musical connotation

leonard b. meyer (1918-2007) was an american composer, author and philosopher. his work emotion and meaning in music is perhaps the first major treatise on music. it is a philosophical and psychological work, greatly influenced by koffka (one of the major proponents of gestalt psychology). his work deals with the problem of musical meaning and musical communication.