Which statements about the portraits by Judith Leyster, Rembrandt, and Pablo Picasso studied in this lesson are true? Choose all answers that are correct.

Rembrandt expressed anger in the features.

Leyster added drama by using chiaroscuro.

Picasso showed multiple views simultaneously.

Picasso showed anguish in the features.

Leyster expressed joy in the features.

Rembrandt added drama by using tenebrism.

Use this excerpt from the corpus luris civilis (justinian's law code) to answer the following question: with the aid of god governing our empire, which was delivered to us by his celestial majesty, we carry on war successfully. we ador peace and maintain the constitution of the state, and have such confidence in the protection of almighty god that we do not depend upon our arms, or upon our soldiers, or upon those who conduct our wars, or upon our own genlus, but we solely place our reliance upon the providence of the holy trinity, from which are derived the elements of the entire world and their disposition throughout the globe. --public domain from this excerpt of the prologue of the corpus luris civilis, what departure from older roman traditions is clear? the laws show that the empire has developed a bureaucracy that makes normal soldering unnecessary. the law now honors christianity as a central part of the empire's existence. the law explains that the roman empire is using war to spread roman ideas. the law has replaced old social class divisions with an egalitarian church,

What militaristic words does henry use when making his argument? how do they impact the effectiveness of his speech?

Which source would best a historian understand the effect of the great chicago fire on families? a. a biography of a chicago family displaced by the fire b. a letter from a grandmother in new york to her family in chicago c. a newspaper editorial about families who were displaced d. an oral history dictated by an adolescent who fled the fire