Why do you think braque liked fauvism, and what do you think he borrowed from the style?

Braque likes Fauvism because it is seen in his art style. He borrowed the idea of creating an intense feeling from different brush strokes. This is also seen in the many of artworks of Fauve artists.

Explanation:

In order to know more about the answer, let's get to know who Georges Braque is at first.

Georges Braque- He is a major 20th-century French painter who is popular for being a co-founder of Cubism.

Cubism- This is regarded as a revolutionary new approach to representing reality in the European painting and sculpture. It was founded by Georges Braque and Pablo Picasso. It used geometric frames and shapes that appear fragmented and abstracted.

Fauvism- This is the style of a group of 20th-century modern artists whose works emphasize strong color and painterly qualities.

Georges Braque's artworks were impressive and meticulously conceived. No wonder he became the pioneer of modernism. His brief stints started with Fauvism until he established Cubism with Picasso. Just like Fauvism's art, Cubism's art also created a strong, unified look. Thus, it can be seen in Braque's masterpieces that he borrowed the style from Fauve artists just like Vincent van Gogh, Georges Seurat and Paul Cezanne.

salt is a type of solid, which means that it will when placed in water.

  a.  

soluble, float

  b.  

soluble, dissolve

  c.  

insoluble, settle

  d.  

insoluble, dissolve

the exact role and status of women in the roman world, and indeed in most ancient societies, has often been obscured by the biases of both ancient male writers and 19-20th century ce male scholars, a situation only relatively recently redressed by modern scholarship which has sought to more objectively assess women's status, rights, duties, representation in the arts, and daily lives; and all this from almost exclusively male source material dealing with a male-dominated roman world.

women in mythology

unlike some other ancient cultures such as the greeks who had formed a creation myth where woman was a creature secondary to man and, more specifically, in the form of pandora, a bringer of unhappiness and vices, the romans had a more neutral approach where humanity, and not specifically the male, was created by the gods from earth and water. ovid's metamorphoses, for example, does not specify whether the first human was a man or a woman. at least in a physical sense then men and women were not regarded as belonging to a different species as in the greek world, a view often reiterated in roman medical treatises.