Cassius: [to pindarus upon learning of brutus’ “death”] guide thou the sword. [pindarus stabs him] caesar, thou art revenged, even with the sword that killed thee. [dies] brutus: [runs on his sword] caesar, now be still. i killed not thee with half so good a will. [dies] were cassius’ and brutus’ deaths the work of fate or free will? explain the ways that their deaths address the theme of fate vs. free will.

From his studies of coptic, champollion knew that the egyptian word for "sun" was pronounced rah. he wrote down the first two letters of that sound, ra. next he put a question mark for the unknown middle hieroglyph. then, at the end, he wrote ss, the sound of the last two hieroglyphs. he studied the combination: ra ? ss. suddenly he remembered a famous pharaoh whose name appeared in ancient greek chronicles and also in the biblical book of exodus: rameses, or ramesses. could this be a hieroglyphic representation of ramesses' name? based on the excerpt, what detail did champollion need to conclude that the hieroglyphics might represent ramesses’s name?

In the following conversation, which group discussion technique does emily most clearly show?

You seal resign myself to you also i guess what you mean, i behold from the beach your crooked inviting fingers, i believe you refuse to go back without feeling of me, we must have a turn together, i undress, hurry me out of sight of the land, cushion me soft, rock me in billowy drowse, dash me with amorous wet, i can repay you. in this excerpt from "song of myself," which literary device does whitman use to address the sea? alliteration allusion apostrophe onomatopoeia