16.'rather,' i said. 'heaps! millions! booked solid! ' 17.'what are they? ' 18.'ióerówell, i don't quite know.' 19.'i thought as much. you have no engagements. very well, then, i want you to start immediately for america.' 20.'america! ' 21.do not lose sight of the fact that all this was taking place on an empty stomach, shortly after the rising of the lark. 22.'yes, america. i suppose even you have heard of america? ' 23.'but why america? 24.'because that is where your cousin gussie is. he is in new york, and i can't get at him.' 25.'what's gussie been doing? ' 26.gussie is making a perfect idiot of himself. 27.to one who knew young gussie as well as i did, the words opened up a wide field for speculation. 28.'in what way? ' 29.'he has lost his head over a creature.' 30.on past performances this rang true. what is the central idea of lines 16-30? bertie believes aunt agatha is good at minding her own business. bertie believes aunt agatha is wrong about gussie. aunt agatha canít contact gussie to get him to change his embarrassing behavior. aunt agatha takes bertie by surprise so he agrees to go to america.

I'll mark what are some examples of metaphors in the song "lose yourself" by eminem?

Which three parts of this passage from chapter 6 of emily brontë's wuthering heights show that hindley earnshaw did not care about the well-being of catherine and heathcliff after the death of mr. earnshaw? they both promised fair to grow up as rude as savages; the young master being entirely negligent how they behaved, and what they did, so they kept clear of him. he would not even have seen after their going to church on sundays, only joseph and the curate reprimanded his carelessness when they absented themselves; and that reminded him to order heathcliff a flogging, and catherine a fast from dinner or supper. but it was one of their chief amusements to run away to the moors in the morning and remain there all day, and the after punishment grew a mere thing to laugh at. the curate might set as many chapters as he for catherine to get by heart, and joseph might thrash heathcliff till his arm ached; they forgot everything the minute they were together again: at least the minute they had contrived some naughty plan of revenge; and many a time i’ve cried to myself to watch them growing more reckless daily, and i not daring to speak a syllable, for fear of losing the small power i still retained over the unfriended creatures. one sunday evening, it chanced that they were banished from the sitting-room, for making a noise, or a light offence of the kind; and when i went to call them to supper, i could discover them nowhere. we searched the house, above and below, and the yard and stables; they were invisible: and, at last, hindley in a passion told us to bolt the doors, and swore nobody should let them in that night. the household went to bed; and i, too, anxious to lie down, opened my lattice and put my head out to hearken, though it rained: determined to admit them in spite of the prohibition, should they return.

On november 17, 1968, football fans across the united states sat glued to their televisions. a close game between two top teams—the new york jets and the oakland raiders—was being broadcast. when the jets pulled ahead with only fifty seconds remaining, viewers went wild. but then, just as the raiders were bringing the ball across midfield, the game disappeared from the screen! in its place, a previously scheduled children's movie, heidi, started playing. callers flooded the tv network's phone lines, but it was too late. the raiders scored two touchdowns in the very final moments—touchdowns that were unseen by all but west coast viewers. as a result of the interrupted event, dubbed "the heidi game," television networks began delaying their regularly scheduled programs until football games had ended.