Read the excerpt and answer the question.
abigail rises, staring as though inspired, and cries out. abigail: i want to open myself! they turn to her, startled. she is enraptured, as though in a pearly light. i want the light of god, i want the sweet love of jesus! i danced for the devil; i saw him; i wrote in his book; i go back to jesus; i kiss his hand. i saw sarah good with the devil! i saw goody osburn with the devil! i saw bridget bishop with the devil! as she is speaking, betty is rising from the bed, a fever in her eyes, and picks up the chant – the chant is echoed in the distant music of the dance in the forest – there is wind in the trees. betty, staring too: i saw george jacobs with the devil! i saw goody howe with the devil! parris: she speaks! he rushes to embrace betty. she speaks!
how does this interaction develop the later events of the play?
a. by inciting further hysteria
b. by involving more characters
c. by inciting joy in the characters
d. by involving the minister of the town

In this excerpt from "quality" by john galsworthy, which two parts clearly indicate the literary point of view of the essay? that tenement had a certain quiet distinction; there was no sign upon its face that he made for any of the royal family—merely his own german name of gessler brothers; and in the window a few pairs of boots. i remember that it always troubled me to account for those unvarying boots in the window, for he made only what was ordered, reaching nothing down, and it seemed so inconceivable that what he made could ever have failed to fit. had he bought them to put there? that, too, seemed inconceivable. he would never have tolerated in his house leather on which he had not worked himself. besides, they were too beautiful—the pair of pumps, so inexpressibly slim, the patent leathers with cloth tops, making water come into one's mouth, the tall brown riding boots with marvellous sooty glow, as if, though new, they had been worn a hundred years. those pairs could only have been made by one who saw before him the soul of boot—so truly were they prototypes incarnating the very spirit of all foot-gear. these thoughts, of course, came to me later, though even when i was promoted to him, at the age of perhaps fourteen, some inkling haunted me of the dignity of himself and brother. for to make boots—such boots as he made—seemed to me then, and still seems to me, mysterious and wonderful.