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Answer im being timed an open boat by alfred noyes o, what is that whimpering there in the darkness? 'let him lie in my arms. he is breathing, i know. look. i'll wrap all my hair round his neck' – the sea's rising, the boat must be lightened. he's dead. he must go.' see - quick - by that flash, where the bitter foam tosses, the cloud of white faces, in the black open boat, and the wild pleading woman that clasps her dead lover and wraps her loose hair round his breast and his throat. 'come, lady, he's dead.' - 'no, i feel his heart beating, he's living, i know. but he's numbed with the cold. see, i'm wrapping my hair all around him to warm him.' - - 'no. we can't keep the dead, dear. come, loosen your hold. 'come. loosen your fingers.' - 'o god, let me keep him! ' - o, hide it, black night! let the winds have their way! and there are no voices or ghosts from that darkness, to fret the bare seas at the breaking of day. this poem is an example of a lyric poem an ode free verse a narrative poem
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Ineed it now in this discussion you will use what you learned about the poems "will there really be a 'morning'? ", "i dwell in possibility", and "ozymandias" to compare how both dickinson and shelley used form - lines, capitalization, and punctuation - to bring meaning to the poems. let's check out one of your classmate's posts: in both "will there really be a 'morning'? " and "i dwell in possibility," emily dickinson capitalizes the words in the poem that tell the reader what to focus on in the poem. shelley also capitalizes words that are not names. these must be important to the meaning of the poem. create one post that compares how both dickinson and shelley use form - lines, capitalization, and punctuation - to bring meaning to the poems "will there really be a 'morning'? ", "i dwell in possibility", and "ozymandias".
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Answer im being timed an open boat by alfred noyes o, what is that whimpering there in the darkness...
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