Read the short story "the cask of amontillado," by edgar allan poe. consider how the author uses literary techniques to create mood.

write a well-developed essay that analyzes the mood in the story. include specific details from the text to support your analysis. as you write, remember your essay will be scored based on how well you:

develop a multi-paragraph response to the assigned topic that clearly communicates your thesis to the audience.
support your thesis with meaningful examples and references from the text, carefully citing any direct quotes.
organize your essay in a clear and logical manner, including an introduction, body, and conclusion.
use well-structured sentences and language that are appropriate for your audience.
conform to the conventions of standard american english.
”the cask of amontillado”
by edgar allen poe

the thousand injuries of fortunato i had borne as i best could; but when he ventured upon insult, i vowed revenge. you, who so well know the nature of my soul, will not suppose, however, that i gave utterance to a threat. at lengthi would be avenged; this was a point definitively settled—but the very definitiveness with which it was resolved, precluded the idea of risk. i must not only punish, but punish with impunity. a wrong is unredressed when retribution overtakes its redresser. it is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.
it must be understood, that neither by word nor deed had i given fortunato cause to doubt my good will. i continued, as was my wont, to smile in his face, and he did not perceive that my smilenowwas at the thought of his immolation.
he had a weak point—this fortunato—although in other regards he was a man to be respected and even feared. he prided himself on his connoisseurship in wine. few italians have the true virtuoso spirit. for the most part their enthusiasm is adopted to suit the time and opportunity—to practise imposture upon the british and austrianmillionaires. in painting and gemmary, fortunato, like his countrymen, was a quack—but in the matter of old wines he was sincere. in this respect i did not differ from him materially: i was skilful in the italian vintages myself, and bought largely whenever i could.
it was about dusk, one evening during the supreme madness of the carnival season, that i encountered my friend. he accosted me with excessive warmth, for he had been drinking much. the man wore motley. he had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells. i was so to see him, that i thought i should never have done wringing his hand.
i said to him—"my dear fortunato, you are luckily met. how remarkably well you are looking to-day! but i have received a pipe of what passes for amontillado, and i have my doubts."
"how? " said he. "amontillado? a pipe? impossible! and in the middle of the carnival! "
"i have my doubts," i replied; "and i was silly enough to pay the full amontillado price without consulting you in the matter. you were not to be found, and i was fearful of losing a bargain."
"amontillado! "
"i have my doubts."
"amontillado! "
"and i must satisfy them."
"amontillado! "
"as you are engaged, i am on my way to luchesi. if any one has a critical turn, it is he. he will tell me—"
"luchesi cannot tell amontillado from sherry."
"and yet some fools will have it that his taste is a match for your own."
"come, let us go."
"whither? "
"to your vaults."
"my friend, no; i will not impose upon your good nature. i perceive you have an engagement. luchesi—"
"i have no engagement; —come."
"my friend, no. it is not the engagement, but the severe cold with which i perceive you are afflicted. the vaults are insufferably damp. they are encrusted with nitre."
"let us go, nevertheless. the cold is merely nothing. amontillado! you have been imposed upon. and as for luchesi, he cannot distinguish sherry from amontillado."
thus speaking, fortunato possessed himself of my arm. putting on a mask of black silk, and drawing aroquelaireclosely about my person, i suffered him to hurry me to my palazzo.
there were no attendants at home; they had absconded to make merry in honor of the time. i had told them that i should not return until the morning, and had given them explicit orders not to stir from the house. these orders were sufficient, i well knew, to insure their immediate disappearance, one and all, as soon as my back was turned.
i took from their sconces two flambeaux, and giving one to fortunato, bowed him through several suites of rooms to the archway that led into the vaults. i passed down a long and winding staircase, requesting him to be cautious as he followed. we came at length to the foot of the descent, and stood together on the damp ground of the catacombs of the montresors.