Think about the stories. "gumption" and "to build a fire" which best analyzes the difference in how structure affects style in each story? question 1 options: the descriptive structure of "gumption" allows the author to develop character voices that are realistic, given the story's setting; the sequential structure of "to build a fire" allows the author to develop the reader's suspense about what will come next. the descriptive structure of "gumption" allows the author to develop a formal style, while the sequential structure of "to build a fire" gives the author the entire narrative to show its casual use of language. the descriptive structure of "gumption" allows the author to develop a narrator with an objective, emotionally distant voice, while the sequential structure of "to build a fire" gives the author the entire narrative to show the tragic events that lead to the character's death. the descriptive structure of "gumption" allows the author to develop a casual style, while the sequential structure of "to build a fire" gives the author the entire narrative to show its broad use of figurative language.

How does gregor change from the beginning to the end of the story?

What is the difference between a supreme court opinion and a supreme court dissent? guys answer asap

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification