Which narrative point of view is used in this excerpt from “the lily’s quest” by nathaniel hawthorne? so one breezy and cloudless afternoon adam forrester and lilias fay set out upon a ramble over the wide estate which they were to possess together, seeking a proper site for their temple of happiness. they were themselves a fair and happy spectacle, fit priest and priestess for such a shrine, although, making poetry of the pretty name of lilias, adam forrester was wont to call her "lily" because her form was as fragile and her cheek almost as pale. as they passed hand in hand down the avenue of drooping elms that led from the portal of lilias fay's paternal mansion they seemed to glance like winged creatures through the strips of sunshine, and to scatter brightness where the deep shadows fell. a. first person b. second person c. third person omniscient d. third person limited

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification