In cameron’s argument on the artistic value of video games, she wrote this introduction. roger ebert once wrote an article titled, “video games can never be art.” in this article he wrote that no game is “worthy of comparison with the great dramatists, poets, filmmakers, novelists, and composers.” this may be true right now, but it’s inevitable that video games will rise to have just as much or more artistic importance than film, poetry, theater, and television. we’re witnessing the childhood phase of the dominant art form of the future. which of the following pieces of evidence supports her claim? a. the museum of modern art now includes video games. b. the video game industry is a multi-billion dollar industry. c. advances in video game graphics are happening faster and faster. d. video games are no longer the domain of children, as more and more adults are starting to enjoy them

the word that best matches the meaning of the expression "went to the big ocean" is died.

the goldfish died, which is why the father looks at the children mournfully. the "big ocean" is the father's way of saying fish heaven. he could have just said that the goldfish died, but this way, the children imagine the fish in a bigger, better place instead of just picturing a dead fish.

explanation:

the purpose of the heading in the passage is to identify who is telling the story.

this excerpt is part of the book sugar changed the world (2010) written by marc aronson and marina budhos. as the book has been written by two people, the heading "marc" indicates that this specific excerpt is being narrated by aronson. in the fragment, marc describes his grandfather's story after hearing it from his cousin. however, there are other excerpts where budhos is the one that tells the story of her family.

aronson and budhos, who are husband and wife in real life, decided to write sugar changed the world when they found out how sugar, which had an important role in slavery and economy, changed their ancestors' lives.