A. Identify the following sentences according to their structural patterns. She came first in the last competition.
(ii) The man was thoroughly beaten because he stole his friend's cellphone.-
(iii) If I pass my final examination, I will praise God and visit Orphanage homes.
(iv) Bolu invited me to her party, gave me clothe to wear but I did not go.
(V) Last night, she saw some boys around her hostel.

An interview is an in which one on one or small group question and answer sessions are conducted

Historical fiction is concerned with depicting historical figures and events in a new light. in this excerpt from arthur conan doyle's "the contest," which two sentences most clearly describe historical elements? policles sprang readily to his feet at the challenge, and the great company making way for him to pass, he found himself a minute later standing in his unkempt garb, with his frayed and weather-beaten harp in his hand, before the expectant crowd. he stood for a moment tightening a string here and slackening another there until his chords rang true. then, amid a murmur of laughter and jeers from the roman benches immediately before him, he began to sing. he had prepared no composition, but he had trained himself to improvise, singing out of his heart for the joy of the music. he told of the land of elis, beloved of jupiter, in which they were gathered that day, of the great bare mountain slopes, of the swift shadows of the clouds, of the winding blue river, of the keen air of the uplands, of the chill of the evenings, and the beauties of earth and sky. it was all simple and childlike, but it went to the hearts of the olympians, for it spoke of the land which they knew and loved. yet when he at last dropped his hand, few of them dared to applaud, and their feeble voices were drowned by a storm of hisses and groans from his opponents. he shrank back in horror from so unusual a reception, and in an instant his blue-clad rival was in his place. if he had sung badly before, his performance now was inconceivable. his screams, his grunts, his discords, and harsh jarring cacophonies were an outrage to the very name of music.

Marianne moore’s “poetry” is written in defense of poetry. in the excerpts, which three lines or phrases reflect moore’s opinion of what good poetry should be? . . to discriminate against "business documents and school-books"; all these phenomena are important. one must make a distinction however: when dragged into prominence by half poets, the result is not poetry, nor till the poets among us can be "literalists of the imagination" —above insolence and triviality and can present for inspection, "imaginary gardens with real toads in them," shall we have it. in the meantime, if you demand on the one hand, the raw material of poetry in all its rawness and that which is on the other hand genuine, you are interested in poetry.