English, 25.10.2021 19:20 keyshawn437

2. The following statements about Textual aids are TRUE EXCEPT. *

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English, 21.06.2019 22:50, eburnhisel2023

Read the excerpt from act 1, scene 3, of julius caesar. cassius. am i not stayed for? tell me. cinna. yes, you are. o cassius, if you could but win the noble brutus to our party— cassius. be you content. good cinna, take this paper and look you lay it in the praetor’s chair, where brutus may but find it. and throw this in at his window. set this up with wax upon old brutus’ statue. all this done, repair to pompey’s porch, where you shall find us. is decius brutus and trebonius there? cinna. all but metellus cimber, and he’s gone to seek you at your house. well, i will hie, and so bestow these papers as you bade me. cassius. that done, repair to pompey’s theatre. what is cassius’s motivation for sending brutus the letter? cassius wants to make sure that cinna is on his side. cassius wants to reassure cinna that brutus will follow them. cassius wants to sway brutus to kill caesar. cassius wants to alert brutus about the conspiracy against him.

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English, 22.06.2019 05:00, kellynadine02

What do the sketches of 9/11 victims in "portraits of grief" achieve?

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English, 22.06.2019 07:40, 1233042260

Which statement best describes the way this interaction affects the plot? nora and doctor rank have to find a way to hide their love for each other from helmer. doctor rank's admission of love prolongs the suspense because now nora cannot ask him for . nora and doctor rank have to keep the extent of his illness a secret from helmer later. now that doctor rank has expressed his love for nora, he can no longer come to the house.

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English, 22.06.2019 07:50, Isaiahtate053

At first i was afraid to approach him—then the fear left me. he was sitting looking out over the city—he was dressed in the clothes of the gods. his age was neither young nor old—i could not tell his age. but there was wisdom in his face and great sadness. you could see that he would have not run away. he had sat at his window, watching his city die—then he himself had died. but it is better to lose one's life than one's spirit—and you could see from the face that his spirit had not been lost. i knew, that, if i touched him, he would fall into dust—and yet, there was something unconquered in the face. how does the conflict at the beginning of the paragraph move the plot forward? the narrator realizes that he is scared of the gods. the narrator realizes that he distrusts the spirits the narrator realizes that the god was a man. the narrator realizes that he is powerful like the gods.

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2. The following statements about Textual aids are TRUE EXCEPT. *...