How does the author use an event in the rising action to create suspense at the climax? A.
In the rising action, the narrator puts his mattress in the middle of the room, causing the valet to trip at the climax.
B.
The narrator's increasing paranoia in the rising action causes him to attack the valet when he enters the room.
C.
The narrator has trouble sleeping in the rising action, which causes him to oversleep at the climax.
D.
In the rising action, the narrator hears the valet laughing and whispering in the hallway, which motivates him to attack the valet at the climax.

the answer is d i just took the test

explanation:

100%

hello tater tot the answer is going to be c.going into the business right after high school because i saw sholland answer

im a genius sholland

i’m writing a memoir and i’ve been given the great suggestion of placing a ‘sub-narrative’ within some of the chapters – sort of, what was going on with me in the grand scheme of things.

i was wondering how to format this so that it is very obvious we are stepping out the of story.

firstly is a change in font from serif to sans workable? i also use dashes for a scene change. was thinking of using a different scene-changer too.

here’s a (shortened) example:

university – or what’s known as ‘uni’ in australia – were some of the best days of my life. where else do you get to potter around in a great location, have very little responsibility, learn lots of things, do lots of things and walk out four years later with a bonus – a degree!

with my university years i had immersed myself into community of intelligent ambitious people. generally everyone had a confidence about themselves. they knew where they were going in life and weren’t threatened by others.

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next normal paragraph continues here…

(sorry couldn’t show the fonts in this comment field)

too much?

throughout history, economists have always thought  ..