Read the passage below from "The Most Dangerous Game" and answer the question. They would be on him any minute now. His mind worked frantically. He thought of a native trick he had
learned in Uganda. He slid down the tree. He caught hold of a springy young sapling and to it he fastened his
hunting knife, with the blade pointing down the trail; with a bit of wild grapevine he tied back the sapling.
Then he ran for his life. The hounds raised their voices as they hit the fresh scent. Rainsford knew now how
an animal at bay feels.
He had to stop to get his breath. The baying of the hounds stopped abruptly, and Rainsford's heart stopped,
too. They must have reached the knife.
During what stage of the plot structure does this event occur?

umm there is no difference

great question btw!

after the signature of the treaty of versailles in june 1919, germany lost nearly 25,000 square miles and a population of 7 million people. these territories included eupen-malmedy area and moresnet which were ceded to belgium. regarding relations with france, germany ceded the sovereignty of the saar coal mines to this country, as well as the provinces of alsace-lorraine.

explanation:

its not c its 10\

lurn yo work

ngue

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran