Rate my story so far Luke was sure the blast should've killed him, but it didn't. Now he laid there on the ground with the smell of gasoline and burning metal still clinging in the air. His brain screamed for him to get up but his body wouldn't. At the slightest movement he could feel the blood trickle from the back of his head. The hoarse groans of the undead growing ever close. He knew if he didn't get up he'd be eaten alive where he laid. Using all the strength he could muster up he picked himself up , grabbed his hat that'd been thrown from him in the blast, reclaimed his pistol and took off in a sprint.

Announcer two: ladies and gentlemen, following on the news given in our bulletin a moment ago, the government meteorological bureau has requested the large observatories of the country to keep an astronomical watch on any further disturbances occurring on the planet mars. due to the unusual nature of this occurrence, we have arranged an interview with noted astronomer professor pierson, who will give us his views on the event. in a few moments we will take you to the princeton observatory at princeton, new jersey. we return you until then to the music of ramón raquello and his orchestra. the passage is from the transcript of the radio adaptation of the war of the worlds by h. g. wells. instead of including expert interviews, h. g. wells uses a narrator to tell about an alien invasion that occurred a few years earlier. by including expert interviews, how does the radio broadcast change the story most effectively? o. a. it puts the story in the past tense, increasing its personal tone. o o b. it makes the broadcast sound more like a fictional story. o o c. it makes the broadcast sound like a news report. o d. it makes the story sound less believable by changing who presents the story's details.