Which five sections in this excerpt from The Importance of Being Earnest by Oscar Wilde show that Lady Bracknell places utmost importance on wealth and appearances?

LADY BRACKNELL (Sitting down again.):
A.) A moment, Mr. Worthing. A hundred and thirty thousand pounds! And in the Funds! Miss Cardew seems
to me a most attractive young lady, now that I look at her.

B.) Few girls of the present day have any really solid qualities, any of the qualities that last, and improve with time. We live, I regret to say, in an age of surfaces.

(To Cecily.) Come over here, dear. (Cecily goes across.)

C.) Pretty child! your dress is sadly simple, and your hair seems almost as Nature might have left it. But we can soon alter all that.

D.) A thoroughly experienced
French maid produces a really marvellous result in a very brief space of time. I remember recommending one to young Lady Lancing, and after
three months her own husband did not know her.

JACK: And after six months nobody knew her.
LADY BRACKNELL. (Glares at Jack for a few moments. Then bends, with a practised smile, to Cecily.): Kindly turn round, sweet child. (Cecily turns
completely round.) No, the side view is what I want. (Cecily presents her profile.) Yes, quite as I expected.

E.) There are distinct social possibilities in
your profile.

F.) The two weak points in our age are its want of principle and its want of profile.

The chin a little higher, dear.

G.) Style largely depends
on the way the chin is worn. They are worn very high, just at present.

Algernon!

"spring, the sweet " from summer's last will and testament spring, the sweet spring, is the year's pleasant king, then blooms each thing, then maids dance in a ring, cold doth not sting, the pretty birds do sing: cuckoo, jug-jug 1 , pu-we, to-witta-woo! the palm2 and may3 make country houses gay, lambs frisk and play, the shepherds pipe4 all day and we hear aye5 birds tune this merry lay6: cuckoo, jug-jug, pu-we, to-witta-woo! the fields breathe sweet, the daisies kiss our feet, young lovers meet, old wives a-sunning sit, in every street these tunes our ears do greet: cuckoo, jugjug, pu-we, to-witta-woo! spring, the sweet spring! –thomas nashe jug-jug: sound of the nightingale palm: willow may: hawthorn pipe: play a shepherd's flute aye: always lay: song choose the sense that the poet appeals to in the last two lines of each stanza.

Read the passage from animal farm. "that was part of the arrangement! " cried squealer. "jones's shot only grazed him. i could show you this in his own writing, if you were able to read it. the plot was for snowball, at the critical moment, to give the signal for flight and leave the field to the enemy. and he very nearly succeeded—i will even say, comrades, he would have succeeded if it had not been for our heroic leader, comrade napoleon. do you not remember how, just at the moment when jones and his men had got inside the yard, snowball suddenly turned and fled, and many animals followed him? and do you not remember, too, that it was just at that moment, when panic was spreading and all seemed lost, that comrade napoleon sprang forward with a cry of 'death to humanity! ' and sank his teeth in jones's leg? surely you remember that, comrades? " exclaimed squealer, frisking from side to side. now when squealer described the scene so graphically, it seemed to the animals that they did remember it. at any rate, they remembered that at the critical moment of the battle snowball had turned to flee. but boxer was still a little uneasy. how does the characterization of squealer support the author’s purpose? squealer's dramatic accusations draw parallels between him and stalin’s propagandists. squealer's uncertainty shows that he is not a reliable ally of napoleon and is ineffective with messaging. squealer's ability to get the animals to listen to him shows that any animal can rise to be a leader in time. squealer's humble interactions with the animals reflect the importance of equality and cooperation.

When mrs. jameson says "it (the desert) won't leave you cold," what does she mean?