Read the excerpt from The Land. Willie Thomas hauled off and slapped Mitchell across the face with the back of his hand. "Don't ya get smart wit' me!" Mitchell turned his head at the impact, but he didn't fall back. It was as if he had already braced himself for the attack. "You done had somethin' t' do wit' this here stallion bein' cut up, I knows it!" Willie raved on. "You had somethin' t' do wit' it, I gets the blame, and I lose my good job! Tell me what ya done!"

Willie’s motivation would best be called extrinsic because he is

worried about losing his job.
angry that he cannot control the situation.
anxious about failing at his job.
worried about ruining his reputation.

dickinson punctuation and lines in her poems to establish a rhythm. each reader will naturally find themselves reading the poem in the same way. she uses the repeating question marks and exclamation points to convey the passion in her words. shelley uses punctuation to paint a picture in the reader's mind. for example, the ellipses after "stand in the dessert" evoke a silence, as it would feel in a deserted, old place.

the anecdote makes readers feel sorry for the man’s lack of heritage, then reminds readers that the man has an equally valuable heritage.

the answer is a

explanation:

to eliminate ambiguous remote or broad reference it is necessary to focus on anaphoric reference. by definition "anaphoric reference means that a word in a text refers back to other ideas in the text for its meaning." the references should be clear and leave no room for ambiguity.

in the first case the pronoun it probably refers to the car but it has not been mentioned before so we should replace it for the car. in doing so the statement becomes clear.

in sentence number   two   the pronoun he refers to charles dickens the author. yet, the first half of the sentence is about the book a tale of two cities. to repair this it would be better to rephrase the first half : after i read   a tale of two cities by dickens, he so as to remove the remote reference.