Read the following excerpt from Canto XXXIV of Dante's Inferno, in which Dante and Virgil encounter Luci, and then view the image by Gustave Doré that depicts this scene. The emperor of the kingdom of despair Rose up from mid-chest out of the sheer ice;
And I come closer to a giant's height ... ..

I saw that on his head he had three faces:
One in front - and it was fiery red -

And two others, which joined onto this one
Above the center of his shoulder blades, And all three came together at his crown

In each mouth he mashed up a separate sinner
With his sharp teeth, as if they were a grinder,
And in this way he put the three through tortur.

What detail does Doré's illustration add to Dante's description of Luci?

A. Luci has three faces
B. Luci emerges from ice rather than from fire
C. Luci is depicted as a giant compared to Dante
D. Luci is hunched over and seems to be brooding​

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects