What do audiences of lucílio de albuquerque's pygmalion and galatea need to have in order to better understand the deeper meaning of the painting?

a. knowledge of the original myth of pygmalion
b. knowledge of the medium the artist is using
c. knowledge of the artist's family and background
d. knowledge of the other paintings by the artist

Read the opening lines of chapter 1 of twenty years at hull house and answer the question. on the theory that our genuine impulses may be connected with our childish experiences, that one’s bent may be tracked back to that “no-man’s land” where character is formless but nevertheless settling into definite lines of future development, i begin this record with some impressions of my childhood. the author begins her book with memories from her childhood. according to this excerpt, addams felt strongly that childhood was important because its trials and triumphs will support a successful life suffering during this time can create long-lasting goals it has a strong impact on personal growth throughout life children are free of the ethical judgments that adults make next question

Is conciseness and formality more of a courtesy than a requirement in an adjustment letter

Asymbol always — a. gives human qualities to nonhuman things b. uses a connective word such as like or as c. stands both for itself and for something else d. presents an apparent contradiction that is actually true