Read the excerpt from lizzie bright and the buckminster boy. and that was how lizzie saw him as she came up the coast: his back to her, wearing a white shirt fit for glory, throwing rocks up into the air and swinging at them with a piece of driftwood if she had figured he had come for a place to breathe, she might have been more understanding—even if she had wondered about him some. if she had figured he was absolutely and completely crazy, she would have let him be. but as far as she knew, he was standing with his left leg forward on her shore, in a place where she had come to clam and to breathe. it was as if he were telling her to move on. and she had had enough of that. how does the setting in this excerpt contribute to lizzie’s internal conflict? lizzie is unhappy because turner is wearing a white shirt that is better than her own clothes. lizzie is angry because turner is using rocks and a stick instead of a ball and a bat to practice baseball. lizzie is upset because turner is standing on the beach she is used to having to herself. lizzie is afraid because turner is digging for clams in the spot that lizzie usually digs.

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects

Power going out story i need with a plot and the starting point is you wake up late, the power is out, and yeah. plz try to make it non complex since i have to write it in spanish

Read juliet’s soliloquy from act iv, scene iii. based on her dialogue, explain the conflict that juliet faces. is the conflict primarily external or internal? explain why.