How does cry, the beloved country, by alan paton, reflect the cultural experiences of south africans in the late 1940s?

by highlighting kumalo’s and msimangu’s religious faith, cry, the beloved country depicts the way christianity appeals to the people of johannesburg, regardless of race.

through powerful descriptions of john kumalo’s successes, the novel depicts the emergence of a black middle class in south africa.

by depicting how kumalo is robbed upon arrival in johannesburg, the novel reflects the crime that was prevalent in urban areas of south africa in the 1940s.

the novel’s description of the bus boycott reflects the success of the protests that south africans engaged in as they fought to successfully overturn unjust laws and government regulations.

Explanation:

Alan Paton challenges the social estimations of South Africa to a degree in the novel "Cry, The Beloved Country." In a few events, Alan Paton will in general reflect as opposed to challenge the present circumstance; this happens when he mirrors the religion of both white and dark individuals. Explicit subjects scooped from the novel, for example, bigotry, destitution, and wrongdoing were points that were tested by the creator.

The writer gently protected that the book it independent these subjects to build up a successive impact amid the novel. Religion is a noteworthy social esteem, which is crucial for both white and dark; consequently, the creator shows that both skin hues bolster a similar religion regardless of the imbalance among them, using the reflecting strategy.

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