Which three parts of this excerpt from f. scott fitzgerald's "winter dreams" reflect dexter’s final disillusionment?

a) [when, in a few minutes, devlin went he lay down on his lounge and looked out the window at the new york sky-line into which the sun was sinking in dull lovely shades of pink and gold.]

he had thought that having nothing else to lose he was invulnerable at last—but he knew that b) [he had just lost something more, as surely as if he had married judy jones and seen her fade away before his eyes] c) [the dream was gone] d) [something had been taken from him] e) [in a sort of panic he pushed the palms of his hands into his eyes and tried to bring up a picture of the waters lapping on sherry island and the moonlit veranda, and gingham on the golf-links and the dry sun and the gold color of her neck's soft down] f) [and her mouth damp to his kisses and her eyes plaintive with melancholy and her freshness like new fine linen in the morning.]

the had just lost something more, as surely as if he had married Judy Jones and seen her fade away before his eyes. The dream was gone. Something had been taken from him

i just took the test got it all right.

i would like to compare these two interpretations of the crucible : 1) eric christ's interretation and wade bradford's interpretation. the main differences between there interretaions is that in the first one you can notice direct link to joseph mccarthy whereas the second one represents how the town is filled with hysteria.the second interpretation shows that author believes that the story   about puritan town in salem is based on actual events while the first example shows the sencible reference to sort of bias.

the sentence that avoid faulty coordination is:

culture, which is well represented in philadelphia, plays a major role including theatre, music, and the visual arts.  

faulty coordination occurs when the writer gives equal importance two different ideas (clauses) which in fact are not equivalent. in order to correct a misplaced clause or idea, the writer can place less important or emphatic ideas in a relative clause as in the previous sentence.