This is the

do not go gentle into that good night,
old age should burn and rave at close of day;
rage, rage against the dying of the light.

though wise men at their end know dark is right,
because their words had forked no lightning they
do not go gentle into that good night.

good men, the last wave by, crying how bright
their frail deeds might have danced in a green bay,
rage, rage against the dying of the light.

wild men who caught and sang the sun in flight,
and learn, too late, they grieved it on its way,
do not go gentle into that good night.

grave men, near death, who see with blinding sight
blind eyes could blaze like meteors and be gay,
rage, rage against the dying of the light.

and you, my father, there on that sad height,
curse, bless, me now with your fierce tears, i pray.
do not go gentle into that good night.
rage, rage against the dying of the light.

first stanza:
what image in the words "burn and rave" suggest? why should someone "burn and rave at the close of day"?

Which sentence best describes the biased way the author approaches this topic? boars = bacon. and gammon, chops, sausages and feel your salivary glands begin to tingle at the thought of your teeth sinking into that first tender mouthful, and you will be half way towards a sensible attitude towards these creatures. they’re pigs. porkers, hogs, swine, if you will. they dig up people’s gardens, occasionally attack their dogs, spread disease and generally cause a nuisance. in culinary terms, they’re no different to cows or sheep or any of the other feeble-minded, four-legged frolickers which, in various pasties, pies and other assorted pastry cases, end up on our steaming plates on a daily basis. low in fat but high in deliciousness, by eating a wild boar you aren’t depriving poor little peppa and george of a long-lost cousin, but rather reaffirming your god-given position at the top of the food chain. if a boar could eat you it would, thus i say we should return the favour with interest. so say no to the misty-eyed squealers and man up, tuck in and pig out!

Messalla frowns at the wide circular cover, for a moment returning to his own fussy world.

Sister carrie, chapter ii theodore dreiser how does the author prepare readers for the last full paragraph of this passage? a) the author introduces carrie by showing readers the similarities between carrie and her sister, who is married to a hardworking man. b) the author introduces carrie as the jealous sibling of minnie, who works hard to make carrie feel welcome without upsetting her own marital balance. c) the author introduces carrie as an observant and young woman who notices the routine of her sister and brother-in-law, with whom she is staying. d) the author introduces carrie as a rather selfish and naive young woman who accepts the hospitality of her sister and brother-in-law until she can find a job in the city.