Far in the distance, moving quickly, came the patterrollers
bloodhounds loping, silent.

Minutes before, one of the fleeing band had fallen,
the others for a moment waited
but he did not rise.
A small dark woman stood above him.
His words were slow to come and more a groan:

Can't make it, just can't make it
You all go head without me.

Moses pulled out her revolver and she quietly said:

Move or die.

You ain't stoppin now
You can't stop now
You gonna move
move or die.

If you won't go on
Gonna risk us all –
Ahma send your soul to glory, I said move! . . . .

Get on up now

That's it, no need a gettin weary
There is a glory there!

—“Harriet Tubman aka Moses,”
Samuel Allen

Which statement about the poem’s speaker is true?

This part of the poem has Tubman’s words, but the poem’s speaker is still the narrator.
This part of the poem has Tubman’s words, showing that the poem has a new speaker.
In this part of the poem the speaker has become the man who says he cannot go on.
In this part of the poem the speaker has become one of the “slave catchers.”

Chicago by carl sandburg hog butcher for the world, tool maker, stacker of wheat, player with railroads and the nation's freight handler; stormy, husky, brawling, city of the big shoulders: they tell me you are wicked and i believe them, for i have seen your painted women under the gas lamps luring the farm boys. and they tell me you are crooked and i yes, it is true i have seen the gunman kill and go free to kill again. and they tell me you are brutal and my reply is: on the faces of women and children i have seen the marks of wanton hunger. and having answered so i turn once more to those who sneer at this my city, and i give them back the sneer and say to them: come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning. flinging magnetic curses amid the toil of piling job on job, here is a tall bold slugger set vivid against the little soft cities; fierce as a dog with tongue lapping for action, cunning as a savage pitted against the wilderness, bareheaded, shoveling, wrecking, planning, building, breaking, rebuilding, under the smoke, dust all over his mouth, laughing with white teeth, under the terrible burden of destiny laughing as a young man laughs, laughing even as an ignorant fighter laughs who has never lost a battle, bragging and laughing that under his wrist is the pulse. and under his ribs the heart of the people, laughing! laughing the stormy, husky, brawling laughter of youth, half-naked, sweating, proud to be hog butcher, tool maker, stacker of wheat, player with railroads and freight handler to the nation. which type of figurative language does the poet use most often in "chicago"? a. rhyme b. simile c. metaphor d. personification

Which statement best describes thomas paines usesof evidence in the passage the crisis no. 1?

Briefly describe your ideas about elisa's connection to both the ranch or garden and the road setting of the story