2. PART B: What quote from the story best supports the answer to PART A? O A "And whenever he found a very big lump in his throat he swallowed it for Methuselah's sake,
and pretended that he didn't see anything in the world to cry about." ( Paragraph 30)
OB "The dog whined with pain when he was moved, but still licked Gobaly's hand, as if he
understood that he was his friend and did not mean to hurt him." ( Paragraph 49)
OC "The doctor laughed, and said he was getting to be an old fellow, and the snow was deep, and it
was hard for him to get about; but he was sorry he hadn't come before" ( Paragraph 74)
OD "Methuselah went to the hospital and was cured, and Gobaly-well, if I should tell you his name,
you might say that you had heard of him as a famous surgeon doctor." ( Paragraph 84)

cassius, casca, and their allies plant false documents to manipulate brutus to join their cause to remove caesar. after doing so, they visit brutus at night in his home to persuade him of their views. there they plan caesar's death. brutus is troubled but refuses to confide in his devoted wife, portia. on 15 march, caesar's wife, calpurnia, urges him not to go to the senate. she has had visionary dreams and fears the portents of the overnight storms.

there is no paragraph seven here.

pandora was the poor unfortunate soul that was tricked into letting all of the evil of the world out of the pithos (any percy jackson fans out / box.

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran