Read the following excerpt from the article |Vision, Voice and the Power Creation: An
Author Speaks Out, by T. A. Barron, and answer the question that follows:
Another way to tap the power of imagination is through place. My own background as a
writer is rooted in nature, having grown up reading Henry David Thoreau, Kachel Carson, and
John Muir long before I ever dipped into Madeleine L'Engle, Lloyd Alexander, Ursula Le Guin.
E. B. White, or J. R.R. Tolkien. My early writings were really nature journals; at nine, wrote a
complete biography--of a tree. It was; once-majestic chestnut tree not far from my home.)
So it should come as no surprise that I view place as uch more than just a setting for a
story. It is, in truth, another form of character, no less alive
and complex, mysterious and
contradictory, than the richest character in human form.
What does this
paragraph imply about the way the author would treat the setting in his
work?
(10 points)
The author does not think the other parts of a story are important.
Q0 The author thinks the setting or place is the most important part of a story.
The author thinks the setting can influence the story as much as characters can.
The author does not think the setting or place of a story is important.