What reason does Cavor think Bedford must have had take off in the sphere without him? The First Men in the Moon - H. G Wells

Explanation:IN A little while it seemed to me as though I had always been alone on the moon. I hunted for a time with a certain intentness, but the heat was still very great, and the thinness of the air felt like a hoop about one’s chest. I came presently into a hollow basin bristling with tall, brown, dry fronds about its edge, and I sat down under these to rest and cool. I intended to rest for only a little while. I put down my clubs beside me, and sat resting my chin on my hands. I saw with a sort of colourless interest that the rocks of the basin, where here and there the crackling dry lichens had shrunk away to show them, were all veined and splattered with gold, that here and there bosses of rounded and wrinkled gold projected from among the litter. What did that matter now? A sort of languor had possession of my limbs and mind, I did not belive for a moment that we should ever find the sphere in that vast desiccated wilderness. I seemed to lack a motive for effort until the Selenites should come. Then I supposed I should exert myself, obeying that unreasonable imperative that urges a man before all things to preserve and defend his life, albeit he may preserve it only to die more painfully in a little while.

Why had we come to the moon?

The thing presented itself to me as a perplexing problem. What is this spirit in man that urges him for ever to depart from happiness and security, to toil, to place himself in danger, to risk even a reasonable certainty of death? It dawned upon me up there in the moon as a thing I ought always to have known, that man is not made simply to go about being safe and comfortable and well fed and amused. Almost any man, if you put the thing to him, not in words, but in the shape of opportunities, will show that he knob as much. Against his interest, against his happiness, he is constantly being driven to do unreasonable things. Some force not himself impels him, and go he must. But why? Why? Sitting there in the midst of that useless moon gold, amidst the things of another world, I took count of all my life. Assuming I was to die a castaway upon the moon, I failed altogether to see what purpose I had served. I got no light on that point, but at any rate it was clearer to me than it had ever been in my life before that I was not serving my own purpose, that all my life I had in truth never served the purposes of my private life. Whose purposes, what purposes, was I serving? . . . I ceased to speculate on why we had come to the moon, and took a wider sweep. Why had I come to the earth? Why had I a private life at all? . . . I lost myself at last in bottomless speculations. . . .

My thoughts became vague and cloudy, no longer leading in definite directions. I had not felt heavy or weary—I cannot imagine one doing so upon the moon—but I suppose I was greatly fatigued. At any rate I slept.

Slumbering there rested me greatly, I think, and the sun was setting and the violence of the heat abating, through all the time I slumbered. When at last I was roused from my slumbers by a remote clamour, I felt active and capable again. I rubbed my eyes and stretched my arms. I rose to my feet—I was a little stiff—and at once prepared to resume my search. I shouldered my golden clubs, one on each shoulder, and went on out of the ravine of the gold-veined rocks.

The sun was certainly lower, much lower than it had been; the air was very much cooler. I perceived I must have slept some time. It seemed to me that a faint touch of misty blueness hung about the western cliff I leapt to a little boss of rock and surveyed the crater. I could se

can i see the painting?

answer:   a good wench, give it me.

iago

good girl, give it to me.

emilia

what will you do with ’t, that you have been so earnest

325to have me filch it?

emilia

and what are you going to do with it? why did you want it so much that you begged me to steal it?

iago

  why, what is that to you?

iago

what’s it to you?

emilia

if it be not for some purpose of import,

give ’t me again. poor lady, she’ll run mad

when she shall lack it.

emilia

if you don’t need it for some important reason, then give it back to me. poor lady, she’ll go crazy when she sees it’s missing.

iago

be not acknown on ’t,

330i have use for it. go, leave me.

iago

don’t admit to knowing anything about it. i need it. now go, leave me.

exit emilia

emilia exits.

i will in cassio’s lodging lose this napkin

and let him find it. trifles light as air

are to the jealous confirmations strong

as proofs of holy writ. this may do something.

335the moor already changes with my poison.

dangerous conceits are in their natures poisons

which at the first are scarce found to distaste,

but with a little act upon the blood

burn like the mines of sulfur.

i’ll leave this handkerchief at cassio’s house and let him find it.to a jealous man, a meaningless little thing like this looks like absolute proof. this handkerchief may be useful to me. the moor’s mind has already become infected with my poisonous suggestions. ideas can be like poisons. at first they hardly even taste bad, but once they get into your blood they start burning like hot lava.

enter othello

othello enters.

    i did say so.

340look, where he comes. not poppy nor mandragora

nor all the drowsy syrups of the world,

shall ever medicine thee to that sweet sleep

which thou owedst yesterday.

here he comes. no drugs or sleeping pills will ever give you the restful sleep that you had last night.

othello

    ha! ha! false to me?

othello

argh! she’s cheating on me?

iago

why, how now, general? no more of that.

iago

oh, general, , no more of that!

explanation: