How might a setting that includes very few adult effects a teenage main character

omg are you reading the out siders amway it could let the teen have freedom like drugs etc

Why does Hinton choose the setting of the Nightly Double in chapter 2 of The Outsiders as a place for Ponyboy to meet Cherry Valance, a Soc?

A. It is a drive-in where both gangs go.

B. It is a drive-in where only Socs usually go.

C. It is a drive-in where only greasers usually go.

D. It is a drive-in that is heavily supervised by adults.

A  

How does Dally's decision to leave the Nightly Double change the setting of chapter 2 of The Outsiders?

A. It makes the scene at the drive-in less threatening to the Soc girls, and they can talk more freely.

B. It makes the setting less interactive because Ponyboy and Johnny are too shy to talk to the girls.

C. It makes the setting more stressful because Dally will bring back other greasers who will start a fight.

D. It makes the scene at the drive-in less safe with only Ponyboy and Johnny around to protect the girls.

A

How might a setting that includes very few adults affect a teenage main character?

A. It allows the main character the chance to stay the same without worrying about disappointing anyone.

B. It gives the main character a chance to interact with other characters his or her own age.

C. It makes the main character more believable because no adults can contradict him or her.  

D. It gives the main character a chance to learn and grow independent of adults.

D

What valuable information about the Socs does Ponyboy learn from Cherry Valance?  

A. that they have problems, too

B. that they have much better home lives than the greasers

C. that they are envious of the greasers

D. that they are all really friendly like her

A

a. inform

explanation:

"how to" tells us that it will explain how to, which means to inform

answer:   a good wench, give it me.

iago

good girl, give it to me.

emilia

what will you do with ’t, that you have been so earnest

325to have me filch it?

emilia

and what are you going to do with it? why did you want it so much that you begged me to steal it?

iago

  why, what is that to you?

iago

what’s it to you?

emilia

if it be not for some purpose of import,

give ’t me again. poor lady, she’ll run mad

when she shall lack it.

emilia

if you don’t need it for some important reason, then give it back to me. poor lady, she’ll go crazy when she sees it’s missing.

iago

be not acknown on ’t,

330i have use for it. go, leave me.

iago

don’t admit to knowing anything about it. i need it. now go, leave me.

exit emilia

emilia exits.

i will in cassio’s lodging lose this napkin

and let him find it. trifles light as air

are to the jealous confirmations strong

as proofs of holy writ. this may do something.

335the moor already changes with my poison.

dangerous conceits are in their natures poisons

which at the first are scarce found to distaste,

but with a little act upon the blood

burn like the mines of sulfur.

i’ll leave this handkerchief at cassio’s house and let him find it.to a jealous man, a meaningless little thing like this looks like absolute proof. this handkerchief may be useful to me. the moor’s mind has already become infected with my poisonous suggestions. ideas can be like poisons. at first they hardly even taste bad, but once they get into your blood they start burning like hot lava.

enter othello

othello enters.

    i did say so.

340look, where he comes. not poppy nor mandragora

nor all the drowsy syrups of the world,

shall ever medicine thee to that sweet sleep

which thou owedst yesterday.

here he comes. no drugs or sleeping pills will ever give you the restful sleep that you had last night.

othello

    ha! ha! false to me?

othello

argh! she’s cheating on me?

iago

why, how now, general? no more of that.

iago

oh, general, , no more of that!

explanation: