I MET a traveller from an antique land Who said: Two vast and trunkless legs of stone
Stand in the desert ... Near them, on the sand,
Half sunk, a
shattered visage [face] lies, whose frown,
And wrinkled lip, and sneer of cold
Tell that its sculptor well those
command,
Which
passions read
still survive, stamped on these lifeless
The hand that mocked them, and
things,
the heart that fed;
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on
my works, ye Mighty, and despair!"
Nothing beside remains.
Of that colossal
Round the decay
wreck, boundless and bare
The lone and level sands stretch far
away.
Select one
piece of evidence that supports the situational irony of the
poem. (10 points)
From an
antique land
• Cold command
Boundless and bare
h
Those passions read

1. imaginary persons in a novel believable characters 2. characterization long prose narrative 3. real in the fictional world of the novel creation of characters 4. the novel world of fiction 5. world of the novel characters i need the answer

Speaking rapidly in a large gymnasium causes your words to run together; making them hard to distinguish. true false

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.