The book fear and loathing by hunter A Thompson. On page 29, the narrator, Duke, tells us, “The TV news was about the Laos Invasion—a series of horrifying disasters: explosions and twisted wreckage, men feeling in terror, Pentagon generals babbling insane lies.” Given the time in which this story takes place, why are these details from the television important? What effect do these details have on a story that isn’t directly affected by these events? Or *is* this story affected by these events? How? Assume your audience has read the book; avoid summarizing it. Start your post with a topic sentence that answers the questions here. Then explain further using supporting sentences and examples. Conclude your post with a concluding sentence.

that his long years of service outweigh any faults he may have had.

he wanted to be remembered for the good things he did, one of those being when he gave up office so others would follow suit, but george washington wasn’t a man who thought he was perfect, he knew he made mistakes. he was a very talented soldier with a natural gift of tactic.

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran