Laurie’s mother asks her husband if he thinks that Charles is a bad influence on Laurie. Her husband reassures her that Laurie is bound to meet many other people like Charles during his life. this is on the story charles by Shirley Jackson How do Laurie’s parents feel about their son interacting with kids like Charles?

options

A. Laurie’s parents think their son is a bad boy who learns to misbehave at school.

B. Laurie’s parents believe their son should be taken out of kindergarten.

C. Laurie’s parents feel Laurie can gain life lessons from his experiences with school peers.

D. Laurie’s parents see their son as a good boy who has made bad friends.

i believe it may be the hope this sorry if i'm wrong.

i claim you tobemy lord

they played you again smh, you should be provided with the right answers.

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran