Select the correct text in the passage. In which three parts of this excerpt from "Dover Beach" by Matthew Arnold does the speaker describe the sorrow and confusion that he
wants to escape?

[The Sea of Faith
Was once, too, at the full], and round earth's shore
Lay like the folds of a bright girdle furl'd.
[But now I only hear
Its melancholy, long, withdrawing roar],
Retreating, to the breath
of the night-wind, down the vast edges drear
And naked shingles of the world.
[Ah, love, let us be true
To one another!] for [the world, which seems
To lie before us like a land of dreams]
So various, so beautiful, so new,
[Hath really neither joy, nor love, nor light],
Nor certitude, nor peace, nor help for pain;
[And we are here as on a darkling plain]
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

Ican’t find this question here can y’all tell me the awnser?

Thomas paine's common sense convicted colonists to

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects