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1.1.10 Practice AP3X

Write a literary analysis essay about an intercalary chapter of The Grapes of Wrath. Your essay should examine how the structure and language support the overall purpose, and it should include specific examples from the text to support your claim.

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The unconventional structure of The Grapes of Wrath, in which the narrative chapters are interspersed with intercalary chapters of general comment or information, has frustrated and annoyed readers right up to the present day. Many complain that the chapters are interruptions in the story proper, or that they split the novel into two distinct sections only loosely related. The discerning reader, however, will agree with Steinbeck's claim that the structure of the novel was indeed carefully worked out. Employing a variety of literary styles and techniques, Steinbeck is able to cross-reference details, interweave symbols, and provide outside commentary on narrative events in such a way that the two types of chapters blend together, unifying and enhancing the social and humanist themes of the novel. According to Steinbeck scholar, Peter Lisca, the author uses three specific literary devices to minimize disruption and bring together the two components of the novel: juxtaposition, dramatization, and a variety of prose styles.
One technique used to unify the separate parts of the novel is juxtaposition. Details are consistently and repeatedly inter-related between narrative and intercalary chapters. Most often an intercalary chapter will present a generalized situation that will either become more fully realized or brought to a conclusion by the events in the succeeding narrative chapter. For example, Chapter 7 provides the monologue of a used car salesman and is followed in Chapter 8 by an account of the Joads preparing to leave, having just purchased a used Hudson Super-Six. Similarly, Chapter 29, which describes the relentless rains that flood the California valley, is framed by the first drops of rain falling at the end of Chapter 28 and the floods that threaten the Joads' boxcar in Chapter 30. The repetition of key elements, often symbolic or thematic in nature, also works to integrate the two types of chapters. The land turtle, whose symbolic struggle across the highway is meticulously described in Chapter 3, is picked up by Tom Joad in Chapter 4 and released in Chapter 6, only to continue its journey in the direction soon to be followed by the Joad family. In the same way, the family rescued by the benevolent stranger at the end of Chapter 9 foreshadows the "rescuing" of the Wilsons by the Joads in the next chapter.
A second technique, perhaps most widely used in the intercalary chapters, is that of dramatization: The use of a collage of vignettes, monologues, and dialogues designed to show the social and historical processes behind the events that were occurring in the story of the Joads. In Chapter 9, for example, we hear the frustrations of the farmers forced to sell their belongings through an economic system they don't understand, strengthened with the repeated comment, "Can't haul 'em back." Similar to medieval mystery plays that brought biblical stories to life for the understanding of the common people, Steinbeck uses generalized characters and dialogue to illustrate the plight of the dispossessed tenants. Not wishing to merely tell about social or historical facts that composed the backdrop of his plot, Steinbeck allows his readers to find out for themselves the effect of the drought on the sharecroppers, or the gradual deterioration of the houses abandoned by farmers forced to migrate westward.
The dramatically differentiated prose styles used in the intercalary chapters allows Steinbeck to soften the chapters' somewhat moralizing tone and avoid the accusation that they could be grouped together as their own separate section of the novel. The newsreel style of a contemporary of Steinbeck's, author John Dos Passos, is seen in the used car salesman chapter, while the depiction of the boy and his Cherokee girl dancing in Chapter 23 is almost cinematic. The earthy, folk language employed by the Joads, Wainwrights, Wilsons, and other characters in the primary narrative is echoed in the comments of the generalized characters in the intercalary chapters. In keeping with the purpose of these chapters as general expansions of specific events, however, quotation marks indicating precise speakers are quite obviously absent. These conversational collages strengthen the function of these intercalary chapters to provide an overview of the social situation affecting the Joads.

Answer from: cadenm81

Explanation:

The Grapes of Wrath ends in a rather idiosyncratic way. Steinbeck provides an anticlimax ending that is open to interpretation. The last scene occurs after the Joad family has to move from their boxcar due to the flood that has been ongoing for six days. At this point the family has encountered a series of problems that seem to be never ending. Every time there is a glimpse of hope, something comes and tears everything down. In California for example, finding a job was difficult for the family. On different occasion, they would get flyers or invitations to work at a farm but get there only to be disappointed. In the peach farm for example, they arrive there only to find an angry mob of protesters and the farmers are only paid five cents a box for picking peaches (476). As the family is trying to hold together and continuing their quest to find a better place to settle down, they run into a dying old man and a little boy. Despite the challenges they have been facing, the family is kind enough to stop and help the little boy and his father. The anger and disappointment they had about California did not stop them from helping. Their unselfish actions in the last scene of the book are a sign of hope for the future; hope that despite the dark moments there is light at the end of the tunnel.

Rose of Sharon plays an important role in the helping the dying man. When Rose of Sharon was pregnant, everyone in the family was excited for the baby despite the problems they had. He also has physical conflicts with people who only wish to destroy the hopes of migrant workers such as the police and strikebreakers. Tom's emotional conflict deals with his inability

Throughout John Steinbeck’s novel The Grapes of Wrath, many concepts appear that were noted in How to Read Literature Like a Professor by Thomas C. Foster. However, the three chapters of Foster’s how-to guide that most apply to Steinbeck’s novel were “It’s All About Sex…,” “Every Trip is a Quest (Except When It’s Not),” and “It’s More Than Just Rain or Snow.” On more than one occasion these concepts are hidden within the book, and two of them actually seem somewhat linked together. After reading between the lines, The Grapes of Wrath has an extremely intricate plot and many ulterior meanings. Foster’s book helps to solve these meanings and make it so that the novel can be completely understood. According to How to Read Literature Like a…show more content…

The scene goes on to describe the girl panting and heaving without being tired ad how they’ll keep going. Just like that of the hamburger stand, Steinbeck went into so much detail that noticing the double meaning is unavoidable. Foster’s concept is definitely true, “sex doesn’t have to look like sex.” In fact, it rarely does. In Foster’s How to Read Literature Like a Professor, it is stated that a quest consists of five things: a quester, a place to go, a stated reason to go there, challenges on the way, and a real reason to go there. In this particular situation, there is not just one quester, but instead and entire family: the Joads. They are headed to California in search of a steady job that will support them. On their way, they face money problems, car troubles, deaths, and issues with the government. The real reason to go there is always self knowledge in the eyes of Thomas Foster. The family learns that they must stick together and help each other and others out in order to survive. Without the help of their neighbors they would have perished of hunger and never would have made it into California. Unfortunately, they never actually reach the point where they have steady and happy lives. This is their Holy Grail. At the heart of every immigrant’s experience is a dream- a vision of hope that is embodied in his or her destination” (Gladstein, p. 685). In the novel, The Grapes of Wrath, it is portrayed that the migrant’s thoughts of an American Dream is/was a simple and straightforward notion: go west (California), get employment and become rich. Little did they that know that an ideal and perfect life was difficult to accomplish and it corrupted the minds of those pursuing it.The Grapes of Wrath ends in a rather idiosyncratic way. Steinbeck provides an anticlimax ending that is open to interpretation. The last scene occurs after the Joad family has to move from their boxcar due to the flood that has been ongoing for six days. At this point the family has encountered a series of problems that seem to be never ending. Every time there is a glimpse of hope, something comes and tears everything down. In California for example, finding a job was difficult for the family.

Answer from: Quest

this is an ad? the hell is your audience bro xd

explanation:

Answer from: Quest

answer: your option is c.

explanation: