When Gregor wakes to discover he has become a gigantic insect, he is mostly intent on the practical implications of his metamorphosis—how to get out of bed, how to get to his
job, and so on. He never wonders why or how he has been changed. What does this odd
reaction suggest about Gregor?

i’m writing a memoir and i’ve been given the great suggestion of placing a ‘sub-narrative’ within some of the chapters – sort of, what was going on with me in the grand scheme of things.

i was wondering how to format this so that it is very obvious we are stepping out the of story.

firstly is a change in font from serif to sans workable? i also use dashes for a scene change. was thinking of using a different scene-changer too.

here’s a (shortened) example:

university – or what’s known as ‘uni’ in australia – were some of the best days of my life. where else do you get to potter around in a great location, have very little responsibility, learn lots of things, do lots of things and walk out four years later with a bonus – a degree!

with my university years i had immersed myself into community of intelligent ambitious people. generally everyone had a confidence about themselves. they knew where they were going in life and weren’t threatened by others.

—–

next normal paragraph continues here…

(sorry couldn’t show the fonts in this comment field)

too much?

the answer is b. the tracer looks harmless in flight, but the pilot’s bitten lips and white knuckles suggest how dangerous it can be.