read this excerpt from anse's point of view from as i lay dying:

when he aims for something to be always a-moving, he makes it long ways, like a road or a horse or a wagon, but when he aims for something to stay put, he makes it up-and-down ways, like a tree or a man. and so he never aimed for folks to live on a road, because which gets there first, i says, the road or the house? did you ever know him to set a road down by a house? i says.
which best explains how faulkner uses a modernist technique in this passage?
a. he uses fragmentation, telling the story with gaps the reader must fill in.
b. he uses slang and informal language to show how anse actually talks.
c. he captures the imperfect, disorganized way that anse thinks and feels.
d. he depicts anse as lacking faith and rejecting religion and traditional beliefs.

C. He captures the imperfect, disorganized way that Anse thinks and feels.

Modernist authors such as T. S. Eliot, James Joyce and William Faulkner developed a way of writing known as stream of conciousness. This is a technique that attempts to mimic the way people actually think. Therefore, this type of writing often jumps between several different topics. It also displays some of the characteristics of thought, such as incorrect grammar, constant connections between a variety of topics or lack of coherence. Therefore, by employing this technique, Faulkner captures the imperfect and disorganized way in which Anse thinks and feels.

are you asking for an essay and whats the story?

now, of course, the quality and the seasonability of these winter dreams varied, but the stuff of them remained.   they persuaded dexter several years later to pass up a business course at the state university—his father, prospering now, would have paid his way—for the precarious advantage of attending an older and more famous university in the east, where he was bothered by his scanty funds. but do not get the impression, because his winter dreams happened to be concerned at first with musings on the rich, that there was anything merely snobbish in the boy. he wanted not association with glittering things and glittering people—he wanted the glittering things themselves. often he reached out for the best without knowing why he wanted it—and sometimes he ran up against the mysterious denials and prohibitions in which life indulges.

there you go thats what we are missing