In the chapter of Fire bucket ; Describe hospital of Dibaru and fire buckets

Read the excerpt below from "letter from birmingham jail" and then answer the question below: "my citing the creation of tension as part of the work of the nonviolent resister may sound rather shocking. but i must confess that i am not afraid of the word "tension." i have earnestly opposed violent tension, but there is a type of constructive, nonviolent tension which is necessary for growth. just as socrates felt that it was necessary to create a tension in the mind so that individuals could rise from the bondage of myths and half truths to the unfettered realm of creative analysis and objective appraisal, so must we see the need for nonviolent gadflies to create the kind of tension in society that will men rise from the dark depths of prejudice and racism to the majestic heights of understanding and brotherhood." how does king's repetition of the term "tension" impact the meaning of the text? question 5 options: dr. king says that he is afraid of the word tension and he doesn't think it is necessary. dr. king repeats the word tension to explain how he sees the word as a negative force that discourages change. dr. king repeats the word tension unintentionally, and it doesn't impact the meaning of the text. dr. king repeats the word tension to support how he views the word tension as positive and growth-producing.

Which of the following describes the structure of this excerpt best? a. free verse b. sonnet c. ballad d. blank verse

Read the excerpt below and answer the question. nice town, y'know what i mean? nobody very remarkable ever come out of it, s'far as we know. the earliest tombstones in the cemetery up there on the mountain say 1670-1680-they're grovers and cartwrights and gibbses and herseys-same names as are around here now. in at least one hundred words, discuss the significance of the stage manager's narration in our town. analyze the text in terms of its tone, word choice, and meaning. what purpose does this narration serve in the play?