Which excerpt represents the call-and-response format derived from jazz music?
Deferred
by La...
Which excerpt represents the call-and-response format derived from jazz music?
Deferred
by Langston Hughes (excerpt)
Maybe now I can have that white enamel stove
I dreamed about when we first fell in love
eighteen years ago.
But you know,
rooming and everything
then kids,
cold-water flat and all that.
But now my daughter’s married
And my boy's most grown--
quit school to work--
and where we're moving
there ain't no stove--
Maybe I can buy that white enamel stove!
Island
by Langston Hughes (excerpt)
Black and white,
Gold and brown--
Chocolate-custard
Pie of a town.
Dream within a dream,
Our dream deferred.
Good morning, daddy!
Ain't you heard?
Harlem
by Langston Huges (excerpt)
Does it dry up
like a raisin in the sun?
Or fester like a sore—
And then run?
Does it stink like rotten meat?
Or crust and sugar over—
like a syrupy sweet?
Answers: 1
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The following question is based on your reading of a midsummer night’s dream by william shakespeare. what type of creature is bottom turned into? a. a goat. c. a mouse. b. an elf. d. a donkey.
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Although william carlos williams rejected traditional verse forms he still believed that is was important to use poetic devices to distinguish verse from prose.
Answers: 2
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In at least 150 words, explain how richard wright use of dialogue in the short story "the man who was almost a man" contributes to the overall meaning of the story.
Answers: 1
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