What experiences does Franklin remind his son about?/

Which of the following excerpt from part one of trifles suggest that mrs. hale believes mrs. wright may have had a motive for killing her husband?

Read the excerpt from the land. in the late afternoon i did the same, but all the time i was on the stallion, i was aware that mitchell was watching me. he had appeared on the edge of the woods and had just stood there watching ghost wind and me as we went round and round the meadow. finally, on one of our turns past him, he said: "s'pose you thinkin' you a real somebody 'cause you can ride that stallion." i looked down at mitchell and stopped, knowing that despite our understanding, he was itching for a fight with me. now, i don't know what possessed me in that moment to say the next thing i did. maybe i was feeling guilty that because i was my daddy's son, i could ride ghost wind. maybe it was that, but it wasn't out of fear i said what i said. i no longer was afraid of mitchell. "you want to ride him? " i asked. mitchell took a step backward. it was obvious he hadn't expected me to say that. "you know i can't ride him," he said. "your white daddy'd kill me." "you want to ride him? " i asked again. mitchell looked at the stallion, then at me. "so, what if i do? " what intrinsic motivation does the author most likely intend the reader to infer from the passage? paul is motivated by his need to have mitchell praise his riding skills. mitchell is motivated by his need to have paul praise his riding skills. paul is motivated by jealousy and wishes he had free time like mitchell. mitchell is motivated by jealousy and wishes he could ride the horse.

In which of the following excerpts from "the yellow wall paper" does author charlotte perkins gilman seem to mock the romantic belief in the supernatural? a. a colonial mansion, a hereditary estate, i would say a haunted house, and reach the height of romantic felicity—but that would be asking too much of fate! b. there is a delicious garden! i never saw such a garden—large and shady, full of box-bordered paths, and lined with long grape-covered arbors with seats under them. c. the color is repellent, almost revolting; a smoldering unclean yellow, strangely faded by the slow-turning sunlight. d. then i peeled off all the paper i could reach standing on the floor. it sticks horribly and the pattern just enjoys it!