Describe the settings, Scrooge's place of business and his apartment from A Christmas Carol (FIRST PERSON TO ANSWER GETS BRAINLIEST)

On a frigid, foggy Christmas Eve in London, a shrewd, mean-spirited cheapskate named Ebenezer Scrooge works meticulously in his counting-house. Outside the office creaks a little sign reading "Scrooge and Marley"--Jacob Marley, Scrooge's business partner, has died seven years previous. Inside the office, Scrooge watches over his clerk, a poor diminutive man named Bob Cratchit. The smoldering ashes in the fireplace provide little heat even for Bob's tiny room. Despite the harsh weather Scrooge refuses to pay for another lump of coal to warm the office.

Suddenly, a ruddy-faced young man bursts into the office offering holiday greetings and an exclamatory, "Merry Christmas!" The young man is Scrooge's jovial nephew Fred who has stopped by to invite Scrooge to Christmas dinner. The grumpy Scrooge responds with a "Bah! Humbug!" refusing to share in Fred's Christmas cheer. After Fred departs, a pair of portly gentlemen enters the office to ask Scrooge for a charitable donation to help the poor. Scrooge angrily replies that prisons and workhouses are the only charities he is willing to support and the gentlemen leave empty-handed. Scrooge confronts Bob Cratchit, complaining about Bob's wish to take a day off for the holiday. "What good is Christmas," Scrooge snipes, "that it should shut down bus iness?" He begrudgingly agrees to give Bob a day off but insists that he arrive at the office all the earlier the next day.

Scrooge follows the same old routine, taking dinner in his usual tavern and returning home through the dismal, fog-blanketed London streets. Just before entering his house, the doorknocker on his front door, the same door he has passed through twice a d ay for his many years, catches his attention. A ghostly image in the curves of the knocker gives the old man a momentary shock: It is the peering face of Jacob Marley. When Scrooge takes a second re-focused look, he sees nothing but a doorknocker. With a disgusted "Pooh-pooh," Scrooge opens the door and trudges into his bleak quarters. He makes little effort to brighten his home: "darkness is cheap, and Scrooge liked it." As he plods up the wide staircase, Scrooge, in utter disbelief, sees a locomotive hearse climbing the stairs beside him.

After rushing to his room, Scrooge locks the door behind him and puts on his dressing gown. As he eats his gruel before the fire, the carvings on his mantelpiece suddenly transform into images of Jacob Marley's face. Scrooge, determined to dismiss the strange visions, blurts out "Humbug!" All the bells in the room fly up from the tables and begin to ring sharply. Scrooge hears footsteps thumping up the stairs. A ghostly figure floats through the closed door--Jacob Marley, transparent and bound in chains.

Scrooge shouts in disbelief, refusing to admit that he sees Marley's ghost--a strange case of food poisoning, he claims. The ghost begins to murmur: He has spent seven years wandering the Earth in his heavy chains as punishment for his sins. Scrooge loo ks closely at the chains and realizes that the links are forged of cashboxes, padlocks, ledgers, and steel purses. The wraith tells Scrooge that he has come from beyond the grave to save him from this very fate. He says that Scrooge will be visited by three spirits over the next three nights--the first two appearing at one o'clock in the morning and the final spirit arriving at the last stoke of midnight. He rises and backs toward the window, which opens almost magically, leaving a trembling Scrooge white with fear. The ghost gestures to Scrooge to look out the window, and Scrooge complies. He sees a throng of spirits, each bound in chains. They wail about their failure to lead honorable, caring lives and their inability to reach out to others in need as they and Marley disappear into the mist. Scrooge stumbles to his bed and falls instantly asleep.

Commentary

The opening Stave of A Christmas Carol sets the mood, describes the setting, and introduces many of the principal characters. It also establishes the novel's allegorical structure. (Allegory, a type of narrative in which characters and events represent particular ideas or themes, relies heavily on symbolism. In this case, Scrooge represents greed, apathy, and all that stands in opposition to the Christmas spirit. Bob personifies those who suffer under the "Scrooges" of the world--the English poor. Fred serves to remind readers of the joy and good cheer of the Christmas holiday.) The opening section also highlights the novel's narrative style--a peculiar and highly Dickensian blend of wild comedy (note the description of ##Hamlet# a passage that foreshadows the entrance of the ghosts) and atmospheric horror (the throng of spirits eerily drifting through the fog just outside Scrooge's window).

read the excerpt from “the blackfeet creation.”

what does this excerpt show about blackfeet culture?

the blackfeet prefer to eat cooked meat.

the blackfeet eat small game as well as buffalo.

the blackfeet believe that buffalo are sacred.

the blackfeet animals for providing them with food.

the first proposition is to question economic materialism and victorian christianity. the lines are:

“it moves us not.—great god! i'd rather be

a pagan suckled in a creed outworn; ”

wordsworth is stating that nature no longer interests mankind, that the latter is not “moved” by it and explains that ancient western paganism had a more positive attitude concerning nature since it lacked the perv erted judaeo-christian interpretation of having received the world and all its animals and elements from god to use as we , instead of humans actually being not only part of nature but its wardens, meant to appreciate it and protect it.

the next lines are:

“so might i, standing on this pleasant lea,

have glimpses that would make me less forlorn;

have sight of proteus coming from the sea;

or hear old triton blow his wreathed horn.”

wordsworth here make it very clear that by actually looking and contemplating nature, human beings would reconnect with happiness, serenity and purpose. the use of mythological figures is quite evocative as well, proteus is a greek mythological god of the changing sea. he personifies the sea that changes, which symbolizes the way nature changes and inevitably can change to be destructive not only due to natural causes but to human pollution. furthermore, the sea is even more symbolic since all life originated in the sea so it is not only our past but our future since no life form in our planet can survive without water and if all water is destroyed in earth all life will be gone as well.

he then uses triton which is symbolic of the synthesis of both nature and mankind. triton is a mythological greek god that has the upper body of a man and the lower body of a fish (a merman). this human fish duality evokes the fact that humans are not only human but also part of nature, the fish tail representing nature. the main attribute of this god was that he used a conch shell as a horn to calm the roaring seas. in other words, triton uses nature through science for the benefit of human sailors who risk death during tempests. with the use of such metaphor, wordworth is conveying the message that human technology   is supposed to use nature to preserve nature and thereby humanity as well.