In the adapted excerpt from Herman Melville's short story "The Lightning-Rod Man," which two statements best support an objective summary of the excerpt? 1. Hark! There go all the granite Taconics and Hoosics dashed together like pebbles. By the sound, that must have struck something
2. An elevation of five feet above the house, will protect twenty feet radius all about the rod
3. Think of a heap of charred wood and all in one flash!
4. You pretended envoy extraordinary and an agent to and from Jupiter Tonans,"
5. laughed I; "you mere man who come here to put you and your pipestem between clay and sky, do you think that because you can strike a bit of green light from the Leyden jar, that you can thoroughly avert the supernal bolt? Your rod rusts, or breaks, and where are you?
6. Who has empowered you, you Tetzel, to peddle round your indulgences from divine ordinations? The hairs of our heads are numbered, and the days of our lives. In thunder as in sunshine, I stand at ease.
7. See, the scroll of the storm is rolled back; the house is unharmed; and in the blue heavens I read in the rainbow, and will not make war on man's earth."

the people of renaissance florence, like most city–states of the era, were composed of four social classes: the nobles, the merchants, the tradesmen and the unskilled workers.

the nobles lived on large estates outside the city walls. they owned most of the city’s land, so the nobles controlled. the nobles served as military officers, royal advisers and as politicians.

baldassare castiglione described the proper manners of a noble in the book of the courtier (1528). castiglione wrote that a noble must have training to be an able warrior and social talents such as wit, the ability to dance, and “a certain grace that makes all his activities seem effortless and unconscious.”

the nobles were disdainful of the merchant class, who gained wealth in industries like wool processing, shipbuilding and banking. the merchants sought to protect their wealth by controlling the government and marrying into noble families. they became patrons of great artists in order to gain public favor.

the tradesmen of florence were the crafts workers and shopkeepers. most tradesmen belonged to guilds, organizations that established standards of quality, set rules for membership, and limited outside competition.

the unskilled workers were the lowest class of city workers. these laborers did not have job protection and were very dependent on their employers. workers who violated rules could have their wages withheld or could be discharged from their jobs.