Which excerpt from "The Masque of the Red Death" best shows Prince Prospero's self-centeredness?
O It was in the eastern or blue chamber in which stood the Prince Prospero as he uttered these words. They rang
throughout the seven rooms loudly and clearly, for the prince was a bold and robust man, and the music had become
hushed at the waving of his hand.
O It was then, however, that the Prince Prospero, maddening with rage and the shame of his own momentary
cowardice, rushed hurriedly through the six chambers, while none followed him on account of a deadly terror that had
seized upon all.
O When the eyes of the Prince Prospero fell upon this spectral image (which, with a slow and solemn movement, as if
more fully to sustain its role, stalked to and from among the waltzers) he was seen to be convulsed, in the first
moment with a strong shudder either of terror or distaste; but, in the next, his brow reddened with rage.
O But the Prince Prospero was happy and dauntless and sagacious. When his dominions were half depopulated, he
summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court,
and with these retired to the deep seclusion of one of his castellated abbeys.

Read the stanza below from the poem “tattoo” by gregg shapiro and answer the question that follows. if i could trade places with him i would pad the rest of his days wrap him in gauze and velvet absorb the shocks and treat his wounds i would scrub the numbers from his flesh extinguish the fire and give him back his life what does shapiro use to create the conceit in the lines above? a) he carries one line of poetry onto the next. b) he paints vivid word pictures that trigger the imagination by appealing to the five senses. c) he directly expresses a metaphor using like, as, or than. d) he uses physical protection to represent emotional protection.

What does water to a paste meaning?

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification