Write a personal narrative of 500 – 750 words. Your narrative should describe an event or experience that was important to you. Remember that your personal narrative will read like a story with you as the narrator. Use first-person point of view, create a setting, and develop a plot. Write with your conclusion in mind, and include all the details your readers will need to understand the narrative and its ending. Before submitting the assignment, make sure you have included
a beginning. a middle, and an end
dialogue to draw readers into the scene and to give information about actions and characters
precise, vivid language that shows rather than tells
events in chronological order with appropriate transitions
an end that includes your narrative's point, or the meaning it holds for you
unified paragraphs organized around a main idea
specific nouns. verbs, adjectives, and adverbs
a variety of sentence types
SOMEONE HELP ME OR GIVE ME TIPS

to gain popularity at school, fitzgerald wrote plays for the school and cast himself as the star. he also joined one of the universitys most prestigious clubs.

the answer is:

d. a story that frightened readers so much they would become suspicious of their surroundings

frankenstein is one of the terror novels wrote by the writers in a sort of bet, lord byron challenged them all to write a ghost story, and the story came to mary shelley in a dream, she wanted to conect with the fears of her society, fears of technology and changes, and she wanted readers to look around, freightened.

explanation:

mark brainliest and have a great day!

every four years the american people choose a new president, and 1988 is one of those years."

word count 168

serve the people! ,” smoothly translated by julia lovell, offers an initial sample of yan lianke’s writing to an english-speaking audience. a bluntly drawn, mildly erotic fable, it teases mao zedong by poking fun at a true believer who obeys the chairman’s precepts too literally. to a western sensibility, the broad strokes of yan lianke’s humor would seem to pose little risk of inciting rebellion, whether of the flesh or of the body politic. but then, part of the book’s attraction is that it doesn’t have a western sensibility. it lets the reader see — or rather, intuit — what jokes chinese officials don’t consider funny, and how very little it takes for a writer to be branded an incendiary in 21st-century china, more than three decades after the death of mao, a decade after the death of deng xiaoping and seven years since china entered the world trade organization, a move that would seem to signal a willingness (however wary) to mingle with the rest of the world.