In Greek myth, Sisyphus, the human king of Corinth, was a cunning trickster and murderer who could deceive both gods and humans. Along with these
crimes, Sisyphus also tattled on Zeus, king of the gods, after Zeus kidnapped a
nymph. Zeus sent Sisyphus to Tartarus, the jail beneath the underworld. There,
Sisyphus outsmarted Thanatos, the overseer of death, by tricking Thanatos into
trying on Sisyphus's chains. Thanatos's imprisonment meant that mortals
couldn't die, which really upset life on Earth. As a result, Sisyphus was
condemned for his trickery and for betraying Zeus in the first place. Zeus
sentenced Sisyphus to spend eternity pushing a huge boulder up a hill. Every
time he neared the top, though, it would roll back down, and Sisyphus would
have to start pushing it up all over again.
Which element of this passage most clearly identifies it as mythology?

the answer is   b suffix addition

so are you asking to write a page on why its so wrong?

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran