Jack London's story, Call of the Wild, tells of Buck, a dog stolen from California who is taken to Alaska during the Klondike Gold Rush in the late 1890s. Buck becomes a sled dog, part of a team that transports supplies and people through the harsh winters. Chapter III The Dominant Primordial Beast It was inevitable that the clash for leadership should come. Buck wanted it. He wanted it because it was his nature, because he had been gripped tight by that nameless, incom- prehensible pride of the trail and trace that pride which holds dogs in the toil to the last gasp, which lures them to die joyfully in the harness, and breaks their hearts if they are cut out of the harness. This was the pride of Dave as wheel-dog, of Sol-leks as he pulled with all his strength; the pride that laid hold of them at break of camp, transforming them from sour and sullen brutes into straining, eager, ambitious creatures; the pride that spurred them on all day and dropped them at pitch of camp at night, letting them fall back into gloomy unrest and uncontent. This was the pride that bore up Spitz and made him thrash the sled-dogs who blundered and shirked in the traces or hid away at Historic photograph of an harness-up time in the morning. Likewise it was this Alaskan dog sled team pride that made him fear Buck as a possible lead-dog. And this was Buck's pride, too. Find the Main Idea Write the main idea of the paragraph in your own words.

Eleanor roosevelt repeatedly brings up the idea of education. what does she most likely mean when she uses the word education?

Select the correct text in the passage. in richard connell's short story "the most dangerous game," zaroffs aristocratic appearance and dignified manners mask his sinister, animalistic nature. which line from the excerpt best provides a glimpse into his true nature? rainsford's first impression was that the man was singularly handsome; his second was that there was an original, almost bizarre quality about the general's face. he was a tall man past middle age, for his hair was a vivid white; but his thick eyebrows and pointed military mustache were as black as the night from which rainsford had come. his eyes, too, were black and very bright. he had high cheekbones, a sharpcut nose, a spare, dark face-the face of a man used to giving orders, the face of an aristocrat. turning to the giant in uniform, the general made a sign. the giant put away his pistol, saluted, withdrew. "ivan is an incredibly strong fellow," remarked the general, "but he has the misfortune to be deaf and dumb. a simple fellow, but, i'm afraid, like all his race, a bit of a savage." "is he russian? " "he is a cossack," said the general, and his smile showed red lips and pointed teeth. "so am i." half apologetically general zaroff said, "we do our best to preserve the amenities of civilization here. forgive any lapses. we are well off the beaten track, you know." laughter shook the general. "how extraordinarily droll you are! " he said. "one does not expect nowadays to find a young man of the educated class, even in america, with such a naive, and, if i may say so, mid-victorian point of view. it's like finding a snuffbox in a limousine. ah, well, doubtless you

How are w. h auden’s “musée des beaux arts” and william carlos williams’s “landscape with the fall of icarus” similar?