Point: Gilgamesh believes in the power of supernatural forces. Chart with quoted evidence from the epic poem Gilgamesh of Gilgamesh's belief in the power of supernatural forces. The chart has an area to add paraphrased evidence.

Which statement best completes the blank in this chart?

So frightened that he is trembling and crying, Gilgamesh prays fervently for anyone to hear and protect him.
Frightened by what he faces, Gilgamesh pleads to the god Shamash to protect him on this dangerous journey.
Believing that Shamash is the most powerful god, Gilgamesh cries and begs him for help on the journey.
Gilgamesh is scared about his dangerous journey, and he has no idea where to turn for help aside from the gods.

In henrik ibsen's a doll's house, there are numerous references to dolls. nora mentions how she has bought dolls for her daughter, emmy. she also refers to her children as "nice little dolly children." which interpretation of this reference to dolls is the most plausible? a. the dolls symbolize nora’s childhood. they are a reminder of nora’s father and how he made her happy with dolls every time she was sad or upset. b. the dolls symbolize the deceptive ways in which nora pretends to live in a nice world even though she engages in criminal activity. c. the dolls symbolize both nora and her children. just as nora is a toy and plaything for torvald, her children seem to be her toys and playthings. d. the dolls symbolize nora's indifference toward her children. instead of nourishing her children with love, nora uses the dolls to show them her affection.

Which sentence has an adjective clause? a. mike rode his bike on mountain trails because he found them challenging. b.gary donated to charity whenever he could. c.liz, who could always make people laugh, was loved by the whole block. d.ever since adam was a little boy, he had his father in the fields

In hard times by charles dickens, the scene in which the characters discuss the depiction of horses on wallpaper and flowers on carpets is the author’s way of showing the absurdity of