Think about the boy you saw in this section of the video. Sort his behaviors as a speaker by how effective they are. using more text evidence
How the Speaker Was Effective How the Speaker Could Improve
reading before the discussion
connecting to others' views
supporting his opinions

what do u want me to answer?

c.    

discover group member skills and assign roles

the grass-plot before the jail, in prison lane, on a certain summer morning, not less than two centuries ago, was occupied by a pretty large number of the inhabitants of boston; all with their eyes intently fastened on the iron-clamped oaken door.

— the scarlet letter,

nathaniel hawthorne

''eyes intently fastened''

''iron-clamped oaken door''

are the answers

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran