4.PART A: How do paragraphs 18 - 19 contribute to the development of ideas in the text? INSKEEP: Now, you said if you want the full route of justice you would have a completely broken country. Do you mean that even though the Hutu government, of course, fled the country and many Hutus fled the country who was blamed for the genocide, do you mean to say that you have to assume that there are still many, many people in your country who killed someone and you just have to let them go?
MUSHIKIWABO: That’s a fact. But first of all, the genocide was committed by the state. Whatever is known as Hutu or Tutsi was just used by people who were power hungry and who weren’t ready to share with anybody, and they took it to the extreme. And there are a number of Rwandans, of course, in our society

Read the following excerpts that illustrate darl's and cash's points of view from william faulkner's as i lay dying : from darl: read the following excerpts that illustrate darl's and cash's points of view from william faulkner's  as i lay dying: from darl: tull's wagon stands beside the spring, hitched to the rail, the reins wrapped about the seat stanchion. in the wagon bed are two chairs. jewel stops at the spring and takes the gourd from the willow branch and drinks. i pass him and mount the path, beginning to hear cash's saw. when i reach the top he has quit sawing. standing in a litter of chips, he is fitting two of the boards together. between the shadow spaces they are yellow as gold, like soft gold, bearing on their flanks in smooth undulations the marks of the adze blade: a good carpenter, cash is. he holds the two planks on the trestle, fitted along the edges in a quarter of the finished box. he kneels and squints along the edge of them, then he lowers them and takes up the adze. a good carpenter. addie bundren could not want a better one, better box to lie in. it will give her confidence and comfort. i go on to the house, followed by the          chuck.          chuck.          chuck. of the adze. from cash: i made it on the bevel. there is more surface for the nails to grip. there is twice the gripping-surface to each seam. the water will have to seep into it on a slant. water moves easiest up and down or straight across. in a house people are upright two thirds of the time. so the seams and joints are made up-and-down. because the stress is up-and-down. in a bed where people lie down all the time, the joints and seams are made sideways, because the stress is sideways. except. a body is not square like a crosstie. animal magnetism. the animal magnetism of a dead body makes the stress come slanting, so the seams and joints of a coffin are made on a bevel. compare how the two narrators tell the story of addie bundren's impending death. is either narrator reliable? explain what the reader learns about each narrator. be sure to use specific details from the text to support your answer.

Read the excerpt and answer the question. then i lost my head entirely, mad with the power of exciting such what type of figurative language is used in the excerpt? idiom hyperbole metaphor alliteration

What is one way that shakespeare uses source material in othello? to establish lago's jealous natureto describe why lago loves the moor's wifeto illustrate lago's skill on a battlefieldto explain how lago became so close to the moon